If you’ll recall, I sped-read Louise Penny’s A Great Reckoning during spring semester in order to write an arts review for class. Since then, I had tucked her away in my mind with a note to read more of her books.
While perusing the table of books at Costco a couple weeks ago, as I am wont to do, I stumbled across her again, and being my very cheap self, took a photo of the cover as a reminder to borrow it from the library. The Brutal Telling is the fifth book in Penny’s Armand Gamache series, and A Great Reckoning the most recent. In fact checking that statement, I just discovered that a new Gamache novel, Glass Houses, will be published in August!
While only my second Inspector Gamache novel, I can already tell that Penny has a penchant for incorporating themes of secrets, truth, and façades. I admire the consistency, and she does it well, all whilst weaving in minor themes, notes, and commentary that, although not the focus, draw an acute attention to themselves.
The discovery of a body in Olivier’s bistro in Three Pines, Quebec rattles the tiny, welcoming village. Instantly, all are plunged into an unfamiliar world of secrets and brutality. As the blame constantly shifts and lies create a façade, it seems that more questions will be created than answered. It begs the question of what is more dangerous: the truth, or the comfortable walls that conceal it?
As the case drags out, Olivier’s past is unearth in a brutal telling, revealing an insecure, greedy man hidden behind the generous, well-loved bistro owner the villagers have come to adore. But, while his secrets are revealed, the process also raises an important question about how we love: conditionally or unconditionally? Do we have the power, or more importantly, the will, to love unconditionally? What are the boundaries? How far will we go when we feel someone we love has betrayed our trust?
All the while, Clara’s about to receive the artistic recognition of her dreams…until her agent makes an ugly remark about her friend, Gabri, Olivier’s partner. As Clara wrestles with her conscience and swings between silence, safety, and acceptance; and courage, risk, and dignity; she must decide how important it is to stand up for friends and family. Is it worth sacrificing her dream to defend her friends and stand up for what she believes is right?
And, remarkably, there is the entrance of a rookie Sûreté agent, Paul Morin, whose courage, gusto, and willingness prove to us that there is much more than what meets the eye. Sometimes, we must stand out from the crowd, withstand the ridicule, and put ourselves out there. If we want our dreams badly enough, we will weather the judgement, the laughter, and sometimes, disdain to prove ourselves and take the risk. In Inspector Gamache, he continues to testify to the power of kindness to strangers, colleagues, and friends.
In regards to A Great Reckoning, The Brutal Telling was lacking somewhat in character development. We see the struggles of Olivier, Clara, Peter, and others, but few come to favorable resolutions, if any at all. Instead, the issues are suspended, perhaps to be continued in the next book, perhaps to be laid to rest.