Words are perhaps the most powerful weapon humans can wield against each other. They give us the power to love, to hate, to profoundly alter someone’s reality.
In A Fatal Grace, Louise Penny explores the potency of words to craft our own realities, kill others’, and the the brutal consequences of love denied.
As part of the Armand Gamache series, Penny brings the reader back to the quiet village of Three Pines with the murder of CC de Poitiers. The woman has been found, electrocuted, on a frozen lake during a curling match. The culprit may seem surprising, but after reflection, there could be few other suspects.
CC de Poitiers is quite despicable from the first chapter. Vain, self-absorbed, and extremely cruel, she is one of the most nasty character’s I’ve encountered in Penny’s novels. CC has the unpleasant side affect of making those around her nasty, too, and at worse, making them feel like utter garbage.
She lives in her own world; anything she does not like or that does not fit is not a part of her reality. Words are key. The illegitimate daughter of a now homeless vagrant, CC crafts for herself a new identity as the daughter of Eleanor d’Aquitaine, also called Eleanor de Poitiers. In this new reality, she becomes somewhat of a princess in her mind, and words are so important she marries a man for his name: Richard Lyon, a play on Richard the Lionhearted, son of Eleanor d’Aquitaine.
The most central element in the chaos and subplots that ensue is CC’s verbal abuse of her daughter, Crie. Crie– desperately overweight, beaten down by her mother, withdrawn to her self– has a brilliant mind, gifted in science. But no matter how smart, how graceful she tries to be, it is not enough to earn her mother’s regard. Love is out of the question. Crie is a blemish on the world CC has constructed for herself.
When we are so alienating, so cruel, so senseless, it is foolish to expect that there will be no retaliation. Each person has constructed their own reality, banishing those who threaten their security. And sometimes, this fatal grace is the most merciful action.